Twelfth Night Contemporary Critical Essays

Twelfth Night Contemporary Critical Essays-22
The play expanded on the musical interludes and riotous disorder expected of the occasion, with plot elements drawn from the short story "Of Apollonius and Silla" by Barnabe Rich, based on a story by Matteo Bandello.The first recorded public performance was on 2 February 1602, at Candlemas, the formal end of Christmastide in the year's calendar.

The play expanded on the musical interludes and riotous disorder expected of the occasion, with plot elements drawn from the short story "Of Apollonius and Silla" by Barnabe Rich, based on a story by Matteo Bandello.The first recorded public performance was on 2 February 1602, at Candlemas, the formal end of Christmastide in the year's calendar.

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Sebastian's appearance adds the confusion of mistaken identities to the comedy.

Taking Sebastian for 'Cesario', Olivia asks him to marry her, and they are secretly married in a church.

Feste visits him to mock his insanity, both disguised as a priest and as himself.

Meanwhile, Viola's twin, Sebastian, has been rescued by Antonio, a sea captain who previously fought against Orsino, yet who accompanies Sebastian to Illyria, despite the danger, because of his admiration for Sebastian.

Illyria is also referred to as a site of pirates in Shakespeare's earlier play, Henry VI, Part 2.

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The names of most of the characters are Italian but some of the comic characters have English names.

Finally, when 'Cesario' and Sebastian appear in the presence of both Olivia and Orsino, there is more wonder and confusion at their physical similarity.

At this point, Viola reveals her identity and is reunited with her twin brother.

It included the city-state of the Republic of Ragusa which has been proposed as the setting.

Illyria may have been suggested by the Roman comedy Menaechmi, the plot of which also involves twins who are mistaken for each other.

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