People told each other that it was “the best book since the end of the war.” Amidst the literary productions of its time, this novel was, itself, a stranger.It came to us from the other side of the Equator, from across the sea.
If we think of scientiﬁc nominalism, of Poincaré, Duhem and Meyerson, we are better able to understand the reproach our author addresses to modern science. His very method (“only through a balance of evidence and lyricism shall we attain a combination of emotion and lucidity.”) recalls the old “passionate geometries” of Pascal and Rousseau and relate him, for example, not to a German phenomenologist or a Danish existentialist, but rather to Maurras, that other Mediterranean from whom, however, he differs in many respects.
“You tell me of an invisible planetary system in which electrons revolve about a nucleus. But Camus would probably be willing to grant all this.
This exile is irrevocable, since he has no memories of a lost homeland and no hope of a promised land.” The reason is that man is If I were a tree among other trees . I would be this world against which I set myself with my entire mind. One experience is as good as another; the important thing is simply to acquire as many as possible.
“The ideal of the absurd man is the present and the succession of present moments before an ever-conscious spirit” is lawful.
By virtue of the cool style of and the subject of his essays, Albert Camus takes his place in the great tradition of those French moralists whom Andler has rightly termed the precursors of Nietzsche.
As to the doubts raised by Camus about the scope of our reasoning powers, these are in the most recent tradition of French epistemology. .” This idea was likewise expressed, and at just about the same time, by another writer, Maurice Merleau-Ponty, who draws on the same material when he says, “Physics uses mechanical, dynamic and even psychological models without any preference, as if, freed of ontological aspirations, it were becoming indifferent to the classical antimonies of the mechanism or dynamism which presupposes a nature-in-itself” Camus shows off a bit by quoting passages from Jaspers, Heidegger and Kierkegaard, whom, by the way, he does not always seem to have quite understood. The turn of his reasoning, the clarity of his ideas, the cut of his expository style and a certain kind of solar, ceremonious, and sad sombreness, all indicate a classic temperament, a man of the Mediterranean.
In William Golding"s Lord of the Flies the Conch represents power and order. This writer provides the highest quality of work possible.
Power is represented by the fact that you have to be holding it to speak, and Order is displayed by the meetings or gath... Service is excellent and forms various forms of communication all help with customer service.
“An Explication of The Stranger.” (Originally titled “Camus’s The Outsider.”) First published in Situations I (Paris: Librairie Gallimard, 1947). Reprinted by permission of the author, Librairie Gallimard, Rider & Co., and Criterion Books, Inc.
From Literary and Philosophical Essays of Jean-Paul Sartre (New York, 1955). was barely off the press when it began to arouse the widest interest.