English Essay Comparing Two Poems

We’re instantly thrown into wondering if it’s acceptable for women to see such things, and if it isn’t, is it any better for men to see such things. In fact, Owen doesn’t even say that this man is a soldier, or even that he is dead. One is that he doesn’t even know who the soldier is – which shows us the absolute tragedy of war. The other thought is that by keeping the soldier anonymous, Owen is deliberately trying to show that he could be anyone.Not only this, but Smith calls her a ‘girl’ – something more fragile, more innocent than a man. Unlike ‘him’ in Futility, a soldier who could represent anybody, Vaudevue has a name and we see her actions. One makes us think that the dead soldier could be anybody. Both show the effect of war – one by using an anonymous man to show Owen’s own thoughts, therefore the effect on him personally. Both take one individual and show the consequences of conflict on them – and by seeing one person, we learn about the effects of war on the individual. The effects in both poems seem largely psychological.I like to compare is really about the results – the aftermath I tried to make sure I had a conclusion that brought everything together and I picked out the four key ideas and rephrased them in my answer. I know I need to use quotes to support my response.

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Finally, both poets use natural images to show war and the results of it.

In Come on, Come back Smith shows that the natural world is left behind once the war passes over.

Indeed, in Christianity, water is the symbol of baptism, whereby the holy water washes away sin and leaves you reborn. This water does not clean her or wash away her sins.

When the ‘enemy soldier’ calls her back and carves out a pipe from the reeds, we get a sense of something more primeval – something pre-Christian, something pagan. Without religion, we have no sense of anything after death, so not only do both question their existence, but without the promise of eternal life, life is completely pointless.

The war seems to have more of an effect on Vaudevue, however.

She doesn’t just stop at questioning her existence. She removes her uniform, ‘lunges’ into the water and lies, ‘weeping’ before letting the ‘waters close over her head’. We have the symbolism of the water – something that soothes and cleanses. Water is used in many cultures and religions as a way of cleaning yourself.In Futility, the damage done by conflict is in how it makes Owen question everything: mostly, it makes him question our existence, the whole point of our lives: “was it for this the clay grew tall?” – in this God-forsaken man-made war, he cannot see God, or the point of existence. Yes, the sun gave conditions on earth the ability to generate life. It leaves Owen desperate for answers and despondent about life.Futility shows how war affects the living, how it makes them contemplate life, how it makes you question everything, particularly existence.In Come on, Come back, we see how war devastates the mind, how it leaves people longing for peace and salvation, even if they can’t remember what it is they have done or seen.It might be ‘rutted’ but the moonlight, water and meadows remain. Nature doesn’t offer consolation or solace or hope or safety; it simply reminds him of the pointlessness of life.Nature is what consoles Vaudevue, giving her sanctuary. It’s almost as if Vaudevue is the last human on earth – apart from the enemy sentinel. The sun, a powerful and evocative image of life, has no power. I also try to make sure I keep using the words of the question and make sure that both the beginning of each paragraph and the end of it goes back to the words of the question as well. I’m not supposed to just write about the two poems. I try and write confidently and back up what I say with quotes. So I start with what they do the same, and then I say how they’re different, so I do both.In Come on, Come back, Vaudevue comes to the same conclusion. ” and although the question is ostensibly about her memory loss, we sense something much deeper.Conflict has left both Vaudevue and Owen with a profound sense of pointlessness.


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