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With an appetite for glamour and fame as much as Left Bank bohemianism, she fled her native Russia after the Bolshevik revolution and set about taking Paris by storm. Most commonly associated with the birth of the Impressionist movement in mid-19th-century Paris, Edgar Degas (1834–1917) in fact defied easy categorization and instead developed a unique style, strongly influenced by Old Masters, the body in motion, and everyday urban life. In pursuit of both knowledge and delight, the craft of botanical illustration has always required not only meticulous draftsmanship but also a rigorous scientific understanding.This new edition of a TASCHEN classic celebrates the botanical tradition and talents with a ...The program ran intermittently from 1945 until 1966.
440pp, A pristine copy in the publisher's original printed shipping box, as issued. Laid in are: a Taschen press release announcing publication of the book; a Taschen announcement regarding the event at which the book was signed at Los Angeles Museum of Contemporary Art on April 14, 2002; a gallery announcement card for an exhibition by Pierre Koenig at the Craig Krull Gallery between May 25 and June 29, 2002; and a 4-16-2002 L. Times article "Living Legends of Architecture: Case Study Alumni Reunite to Celebrate Their Contributions to California's Housing Industry" reporting on the event at which this book was signed. Times article on Edward Killingsworth's personal residence. What is likely to be the definitive reference work on John Entenza & "Arts Architecture" Magazine's historic "Case Study House" program, this massive undertaking on the influential post-war design competition is filled throughout with Julius Shulman's gorgeous vintage photographs. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom.
Smith, Julius Shulman, Pierre Koenig, Beverly Thorne, Edward Killingsworth, and Donald Hensman on the title page at a reception and book signing on the event of the publication of "Case Study Houses" by Taschen on April 4, 2002 at the Los Angeles Museum of Contemporary Art. Walker, Thornton Abell, Kemper Nomland and Kemper Nomland Jr., William Wilson Wurster and Theodore Bernardi, Buff, Straub and Hensman, Killingsworth, Brady and Smith, A. Prototypes for everyone The Case Study House program (1945-66) was an exceptional, innovative event in the history of American architecture and remains to this day unique.
Included are short biographies of each architect, a provocative epilogue by photographer Julius Shulman, and the reprinted original magazine pages that announce the birth of the Case Study idea. Cohen Terms of Sale: I accept checks, money orders and Visa or Mastercard via Pay Pal.
This book is a true gem, and considering its size it's the Hope diamond. I will forward easy instructions for Visa or Mastercard payment via Pay Pal to expedite shipment of your order. E-mail for shipping quotes on other delivery methods. Returns accepted for any reason within 10 days and upon prior notifi...
There is a photo of the books being signed by Julius Shulman, Ed Killingsworth, et al, in the article. Also laid in are obituaries for Donald Hensman, Pierre Koenig, and Ed Killingsworth. Each of the innovative houses commissioned between 1945 -66 is profiled in depth, with drawings, blueprints, and photographs. Neutra, Charles Eames, Eero Saarinen, Craig Ellwood, Pierre Koenig, Raphael Soriano, J. The program's chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture's greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen.
It doesn't get any better than this for mid-century modern architecture fans!! Bookseller Inventory # 006403 Ask Seller a Question Synopsis: Modernist experimental homes.
TASCHEN brings you a retrospective of the entire program with comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, as well as extensive floor plans and sketches. Peter Gössel runs an agency for museum and exhibition design.
He has published TASCHEN monographs on Julius Shulman, R. Schindler, John Lautner, and Richard Neutra, as well as several architecture titles in the Basic Art series. In the early part of the 20th century, it refuted the reign of clear, indisputable forms and confronted audiences instead with vivid visual poems devoid of conventional representational imagery and characterized by allegories ...
While not all the projects were built, each received a detailed spread in the magazine, including drawings and models.
Some of the architectural drawings are lovely, drawn with the movement and fluidity of a master.